WHAT WAS HENRI MATISSE’S FIRST MASTERPIECE CALLED?

Riproduzioni   /   Sep 19th, 2018   /   0 COMMENTS   /  A+ | a-
                                                                                                                                                                                                                                                                                 
Henri-Emile-Benoit Matisse was born in Le Cateau-Cambrésis, France in 1869. In 1889 he became ill with appendicitis.
He grew up in Bohain-en-Vermandois and went to school at the College de Saint Quentin, before moving to Paris to study law. In 1889, he returned to Saint-Quentin as a law clerk, though he found the job tedious and complained of anxiety. Later that year he contracted appendicitis and spent several months at home recovering. During that time, at the age of 20, he discovered the welcome isolation and freedom of painting.
 
During his recovery his mother got him some art supplies; he became passionate about painting, and decided to become an artist. Matisse was close to his mother and she encouraged him to experiment with his art, and to express his emotions in his work. In 1897, he met painter John Peter Russell who introduced Matisse to impressionism and to the work of Vincent van Gogh. Matisse painted what was considered his first masterpiece in 1897. He called it ‘The Dinner Table’. In the early 1900s Matisse changed his artistic style. He painted with bright, freely applied paints. With fellow artists Maurice de Vlaminck and Andre Derain, he exhibited his new style. An art critic called them "fauves", which means "wild beasts". He died in Nice in 1954.
 
 
Struck by his new passion, Matisse left for Paris again in 1891, this time to study art. He failed the entrance exams for the Ecole des Beaux Arts, but unofficially joined the studio of French symbolist painter Gustave Moreau in 1892. Moreau told his students, "Colors must be thought, dreamed, imagined." This Symbolist attitude toward painting contributed to Matisse's expressive use of color. In 1894, Matisse unexpectedly had a daughter, Marguerite, with his lover, Caroline Joblaud. After finally being accepted to the Ecole des Beaux Arts in 1895, he continued to study with Moreau until 1898. Many styles influenced the painter during these years, from the academic still lifes of Jean-Baptiste-Simeon Chardin to the loose brushwork of the Impressionists.



In 1898, having ended his relationship with Caroline, Matisse married Amelie Parayre. Moreau died while the couple was abroad for their honeymoon, and Matisse struggled to find another teacher. He was also faced with the challenge of raising three children - he and his wife had two sons, Jean in 1899 and Pierre in 1900. Despite their financial struggles, Matisse began his lifelong collection of avant-garde art, purchasing Three Bathers (1879-82) by Paul Cézannefrom the gallery of Ambroise Vollard. Influenced by the Post-Impressionists' use of color, and the writing of art critic Paul Signac, Matisse moved past his Impressionist exploration.
                                                                                                                                                                                  
The Woman with a Hat (1905)                                                                                                                                                                                                             

By 1907, painters were no longer working in the Fauve style, not even Matisse. He moved on to create simplified forms against flat planes of color. His interest in sculpture intensified as well, especially North African work, probably due to his experiences on a 1906 trip to Algeria. He used sculpture to resolve pictorial problems, especially those relating to the figure. He also acquired the support to open an art school in 1908, teaching approximately eighty students over three years. And he gained patronage from collectors of avant-garde art, including the Russian collector Sergei Ivanovich Shchukin, who eventually owned dozens of his paintings.

From 1911 to 1916, Matisse focused on depicting the human figure in interior spaces decorated with Eastern rugs and souvenirs. While he was not drafted during World War I, the seriousness of world events affected his painting, muting his palette. Towards the end of the war, however, he returned to his bright colors, leading to his "Nice period" from 1917 to 1930. Many of these paintings make use of the white of the exposed canvas to suggest the bright light of southern France.

In 1930, Matisse went through a time of artistic crisis and transition. Dissatisfied with the conservative direction of his work, he traveled first to Tahiti, then to America three times in three years. He spent much less energy on easel painting, instead experimenting with book illustration, tapestry design, and glass engraving. In 1931, he was commissioned to create a mural for the Barnes Foundation in Pennsylvania, which he completed in 1933.                                             
                                                                                                                                                       Luxe, Calme, et Volupte (1904-05)

Luxe, Calme, et Volupte (1904-05)

 

Matisse's separation from his wife in 1939, the arrival of World War II, and ill health, all added to Matisse's anxiety over the direction of his work. After major surgery in 1941, he was confined to a wheelchair. He turned to drawing and paper cut-outs, media that were physically more manageable and offered new potential for expression. Paper cut-outs symbolized for Matisse the synthesis of drawing and painting.                                                                                                                                                                                                  The paper cut-outs encouraged Matisse to simplify forms even further, distilling the object's "essential character" until it became a symbol of itself. He used the paper cut-out technique to design stained glass windows for the Chapelle du Rosaire in Vence, France, and as a medium in its own right in large-scale works. With the help of assistants, Matisse was able to continue working through his illness. On November 3, 1954, Matisse died of cancer.





 



 
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